Is It Up, Or Is It Down?

Do Not Adjust Your Screen

Photographs copyright: DAVID McMAHON

This week’s theme really got me thinking, because there aren’t really a lot of shots I’ve taken that would meet the criterion. I was starting to wonder how best to depict this – and then I remembered a couple of shots I took about eight weeks ago.

I just happened to be coming down the stairs from Southbank to the Langham Hotel here in Melbourne, when I noticed a Mercedes-Benz parked in just the right spot. Not only was it in great light and in a position where I could shoot it from above, but its hood also had a clearly discernible reflection of one of Melbourne’s most recent and most recognisable landmarks – the mammoth Eureka Building, which opened in 2006.

I took the first shot exactly where I stood and then I realised that if I moved slightly to my left, I would be able to shoot a segmented image. By this I mean the reflection of Eureka would occupy the left-hand side of the car’s hood, while the right-hand side would be absolutely clear of anything at all.

Now I can also explain why I was so lucky that the car was a Merc. The distinctive three-pointed star is a perfect point of reference. Not only does it divide the image into two clear segments, but it is one of the easiest corporate symbols to identify.


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Contrasts In Style And Grace

Two Faces Of Melbourne’s Architectural History

Photographs copyright: DAVID McMAHON

These shots were taken while I was walking towards Flinders Street Station recently, on an afternoon when the wind was biting but the sky turned brilliant blue for a short while.

As I walked, just soaking up the atmosphere of this beautiful city, I suddenly realised that if I found the precise angle, I could capture an interesting shot of the city.

So amid the crowds, I waited until I could find just the right spot in front of the city’s main station. I used my long lens for this sequence, because I wanted a really tight frame that encompassed two different styles and two very different eras in the city’s rich history.

In the foreground is the graceful Victorian-style façade of Flinders Street Station, just to the right of the central dome above the main entrance. In the background is Eureka Tower, the highest residential structure in the southern hemisphere.

The station is redolent of nineteenth century grace, while the super-skyscraper that redefines Melbourne’s skyline has only been officially open since October 2006.

So there you have it. A single frame that presents both ends of the spectrum of Melbourne’s most recognisable buildings.


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A Is For Angel

This Melbourne Landmark Is Larger Than Life

Photographs copyright: DAVID McMAHON

So, did you spot the angel in the photograph above? No, don't look in the sky. The large sculpture by the riverside is called "The Angel". One of Deborah Halpern's signature pieces of art, it was commissioned 22 years ago, in 1987, for Australia’s Bicentennial celebrations the following year.

This sequence of images was shot exactly two years ago, on an icy cold Melbourne winter day. And just in case you're looking at the image above and thinking the trees don't look like our normal Aussie gum trees, you're dead right. They're actually English elms, planted all along the Yarra River by the early settlers.


I was standing at the area of parkland known as Birrarung Marr, photographing Deborah Halpern's masterpiece when I realised that if I stood under the 30-foot tall (almost 10 metres) work of art , I could actually use its shape as a triangular frame for the cityscape.

Angel's first home was actually the south moat of the nearby National Gallery Victoria, or NGV, but it was moved in 2006 to its present spot at Birrarung Marr.

This shot (above) was taken under the work of art, looking directly across the river. A few second after I took that frame, I wondered if I would somehow be able to find an angle where I could actually photograph Princes Bridge.

The short answer was yes. As you can see from the image below, I was able to compose an asymmetrical shot to include not only all three spans of the prominent bridge, but even the surface of the Yarra, as well as the towering Rialto. It used to be Melbourne's tallest building until Eureka Tower (visible in the second frame) took that distinction when it opened in 2006.


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